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Testimonials
Peter Edge was the confident personable Figaro, even able to nuance his delivery and dynamics in these conditions. [Peter] sang with clarity, wonderful purity of intonation, and exemplary Italian.
Christopher Morley
Figaro - Opera Magazine (October 2020)
The result was something of a 45-minute tour de force for baritone Peter Edge, whose engaging performance very much carried the piece. Edge managed to bring personality to what was less of a narrative and more of a thoughtful and complex philosophical consideration.
Planet Hugill
Timeless Figure - Tête à Tête (September 2020)
....Peter Edge’s energetic and engaging Figaro is the perfect foil...
Ron Simpson
Figaro - The Reviews Hub (February 2020)
Peter’s interaction with the other characters was incredible – he also got most of the laughs on the translation. He spent some of the time in the audience performing and nothing phased his polished performance. The argument with Musetta and the making up was strong characterisation by both actors.
Robert Murray
La Boheme - NODA London (November 2019)
Peter Edge delivered the baritone role of Lleu with a strong grasp of the husband’s bewitched desperation and rage, and his good diction, astute characterisation and expressive singing could suit many a role.
Peter Reed
Her Face Was Of Flowers - Classical Source (August 2019)
What a stunning performance of authenticity, clarity and beauty last night! Our group enjoyed every minute. The singing was fabulous - both from the soloists and the choir whose lightness of touch and perfect articulation were exemplary.
The standing ovation was well-deserved - your success as an entrepreneur and your generosity in bringing high quality music to your home town is laudable
T. Wilson
Soloist - Messiah Concert (December 2018)
On behalf of everyone at Frodsham & District Choral Society can I thank you for your stunning performance on Saturday night. I can't believe how fast 'Why do the nations' went and how you made it sound so easy.
M. Rogerson
Soloist - Frodsham and District Choral Society (December 2018)